Record number
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GP27
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Identification
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Simple name
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gansey pattern
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Full name
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diamonds & diagonal bars & crab pots & Betty Martin & vertical & indigenous
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Other name
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Buster Long's Betty Martin and meshes gansey
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Classified name
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4.151.721
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System
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SHIC
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Brief description
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Gansey pattern, Betty Martin and crabpots (meshes with diagonal bars), worn by Buster Long, Sheringham fisherman; very fine knitting
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Note
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Meshes have an unconventional bar added to the meshes which I interpret as representing the rope or tow that attached the pot to a buoy at the surface (for a single pot, also know as a 'swummer', used before pots were tied together in shanks
on the seabed)
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Association
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Nature
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wearer
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Person
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fisherman : Long, Buster
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Place
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& Sheringham & Norfolk
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Activity
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fishing
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Date
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1900 = 1910 (?)
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Production
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Method
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hand knitted
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Person
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knitter :
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Date
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Place
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& &
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Technical data
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12 spi, 17 rpi
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Note3
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tension (estimated)
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Note3
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By comparison with the eyes (iris diameter, pupillary distance):12 stitches per inch. The yoke is quite tall:16 pattern repeats up the yoke = 16 x 14 = 224 rounds = 13 inches @ 17 rows per inch.
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Note
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Preproduction
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Simple name
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photograph
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Full name
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glass plate negative
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Reference number
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CRRMU : 2008.14.108
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Institution3
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Norfolk Museums Service (Cromer Museum)
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Note
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by Olive Edis
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Preproduction
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Simple name
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photograph
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Full name
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warm-toned platinotype
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Reference number
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CRRMU : 2008.14.1661
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Note
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by Olive Edis
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Photography
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Type
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digitised image
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CR10632.jpg
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Institution3
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Norfolk Museums Service (Cromer Museum)
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CR08883.jpg
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Institution3
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Norfolk Museums Service (Cromer Museum)
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Research
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Result
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pattern chart
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Person
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charted by : Warren, Martin
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Person
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swatch knitted by : Smith, Val
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Date
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17.2.2018
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GP27.jpg
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Reference number
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GP27_chart.pdf
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Reproduction
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Type
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sampler
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Corporate body
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for : Sheringham Museum
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Person
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knitter : Smith, Val
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Dimensions
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34 cm x 34 cm
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Documentation group
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Documentation
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Link
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shering.html
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Recorder
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Warren, Martin : 19.11.2017
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Notes
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This is an unconventional design and at first I overlooked the extra bar leading off the top of the meshes. It was Val Smith who pointed it out and verified it in her second swatch. I find it It attractive exactly because it is unconventional.
It is quite flat, as several Sheringham ganseys in Teapot West's collection are and finely knitted but the extra bar just changes the meshes sufficiently to give it a more tesselated feel. I feel it is worthy of being knitted into a whole
gansey.
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